Beatselector Shop

After his major shift to melodic bass with collaborator Sabai, Somna is back with the uplifting track “I’m Alive,” collaborating with Grammy-winning artist Andy Moor and singer/songwriter Brieanna Grace. This track is the first from Somna’s upcoming album, “Pathways,” which blends various genres including trance, progressive, hard dance, and melodic bass. 

Somna expresses that “I’m Alive” is special to him as it is his eighth collaboration with Andy Moor and their first with Brieanna Grace. The track took over a year and a half to create, filled with the sonic details and emotional layers that he and Andy enjoy producing. He describes it as a strong reflection of his current creative state and is eager to share it. 

Somna is recognized as one of Canada’s leading trance artists, ranking 65 in the DJTOP100 in 2018. His music features on major trance labels and is included in the playlists of notable DJs. He has performed at various major events worldwide. Recently, he hosted his first LA headline show titled Pathways, showcasing his blend of trance, hard dance, and melodic bass. 

Andy Moor is a respected figure in electronic dance music, known for numerous awards, including a Grammy nomination and high standings in DJ Mag. Brieanna Grace, based in Los Angeles, is a versatile singer and songwriter with experience across many genres and collaborations with various artists.

Stream here.

Previous

RSCL & VASSY Release Sun-Drenched Summer Anthem "Beg"

Next

AFTERSHOCK PRESENTS SHAQ'S BASS ALL-STARS

WIDGETS ON SIDE PANEL

Don’t Miss

Janet Jackson

the Janet Jackson Exhibit Opens At The Grammy Museum in L.A.

bs-supera

Step Into Music Video History at the Janet Jackson Iconic Style Exhibit At The Grammy Museum in Los Angeles For fans of music, fashion, and pop culture’s most unforgettable moments, a can’t-miss experience is currently on view at the GRAMMY Museum in Los Angeles, California. The Janet Jackson: Music Video Looks exhibit celebrates the artistry and […]

Nas

Nas, Ownership Over Clout, And The Blueprint For Generational Wealth

Shon Murdock

In hip-hop, wealth has often been measured in visible success, diamond chains, foreign cars, and sold-out arenas. But real power has always lived somewhere quieter, in ownership. Few artists have embodied that evolution more strategically than Nas, a lyricist who turned street poetry into boardroom leverage and transformed rap earnings into generational equity. From the […]

Chase & Status

EMW Presents Why Not Now? Set For Memorial Day Weekend

bs-supera

EMW Presents has announced their inaugural Why Not Now?, a two-night event taking place over Memorial Day Weekend, May 23–24, 2026. Set against the towering industrial monoliths and the connected corridors that create Industry City’s open-air courtyards, Why Not Now? will amplify Brooklyn’s raw architectural landscape with a vibrant technicolor energy curated by an “in-the-moment” […]

Solarstone

Solarstone And Susie Ledge Release New Single-“Haunt Me”

Tim Stark

Bold prediction perhaps, but we’ll say it anyway: “Haunt Me”‘s a one-and-done — the kind of record that locks you in on first listen and plays on loop in the mind, long after the speakers have gone quiet. In that instant catch, there’s a certain irony too, as, for the first time in his career, […]

Christian Burns

Christian Burns Releases Darker Days (Original & Avenue One Mixes)

Tim Stark

From the forward-looking, Jan-hopeful lean of his most recent single “Fall To You,” Christian Burns moves onto the slightly less sanguine sounding “Darker Days.” After all, every lighter yin must result in some shadowy yang, right?? Well not necessarily, as “sounding” is very much the operative word here, as once again Christian delivers the electronic […]

Ciaran McAuley

Ciaran McAuley Announces New Album “Finding Me”

Tim Stark

Ironically perhaps, owes its existence to a period of profound creative doubt on Ciaran McAuley’s behalf. After years of forward momentum, the Irish artist found himself questioning not only his own direction, but his relationship with music itself. At that crossroads, rather than forcing (what now only had the appearance of) progress, he chose to […]